58 camera clips
R3D, BRAW, MP4 or ProRes clips selected from the Media Pool.
From folder chaos to a Resolve timeline.
This mock demo shows the product story: select raw takes, choose the master track, let Music Sync analyze scratch audio, then review a timeline where strong matches are already placed against the song.
Resolve-native script direction
Scratch audio matching
B-roll timeline for rejected takes
Master track found
Music Sync listens for the song inside scratch camera audio.
Synced + b-roll timelines
Accepted takes land on the song; rejected clips stay available.
Timeline mock
Master song
Camera A
A001 C041
A001 C043
A001 C045
Camera B
B002 C011
B002 C018
Built for repeated choruses and restarts.
The product claim should stay practical: it reduces repetitive sync work and flags uncertain clips rather than pretending every clip is perfect.
The editor stays in control.
Confidence scores, rejected clips, and b-roll timelines keep the first generated sequence reviewable instead of mysterious.
Commercial packaging stays simple.
One product, one install path, platform-specific builds, and support docs before any public paid launch.
Demo proof checklist
Show the raw problem.
Start the public demo with unsynced camera clips, a master song and visible scratch-audio mess: restarts, partial takes and repeated song sections.
Show what Music Sync decides.
Display confidence, uncertain clips and rejected/b-roll clips. The viewer should understand why the tool placed a clip instead of trusting a black box.
Show the Resolve timeline.
End with a real Resolve timeline: accepted takes against the track, review/b-roll nearby, and a short note that the editor still makes the creative cut.
Offer path
First sale should be clean and supportable.
This review build keeps payment links as email placeholders until Ko-fi or Stripe delivery is verified end to end.
USD perpetual access for the current product generation.
Ask about accessUSD subscription for active editors and production teams.
Ask about monthly